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The Audition Results Are In – Congratulations Dancers!

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This is the time of year I just love, the emails start coming in from my dancers sharing their joy at finding contracts and detailing their audition experiences. I’m so lucky, yes I get to work with amazing artists, but I also work with dancers who really take their careers and marketing seriously.

how to get dance jobs

We see what I think is an above average number of dancers getting jobs. I’d love to share some of their successes and words with you, as well as their Instagram handles to follow them and send them some love for all their hard work over the past years!

Without further ado, and in no particular order…

Kylie Jefferson – Complexions Contemporary Ballet
Find Kylie on Instagram – @kyliemjefferson

Chase Maxwell – Summer show at Radio City Music Hall
Find Chase on Instagram – @wevedecided

Carly Hambridge – Ballet Met 2
Find Carly on Instagram – @carlyham26

Claire Wilson – Colorado Studio Company
Find Claire on Instagram – @cwlsn21

Rachel Costin – Corps with Sarasota Ballet
Find Rachel on Instagram – @rachel_costin

win dance audition contracts

Dancer Ana Maria Delmar, Photo Rachel Neville

Ana Maria Delmar – National Ballet of Argentina
Find Ana on Instagram – @queenanamaria

Hwei Shin Harriman – Trainee at Dutch National Ballet
Find Hwei Shin on Instagram – @wayshiz

Arianna Spitz – Salzburg Austria
Find Arianna on Instagram – @arianna_spitz

nyc dance photographer rachel neville clients win contracts

Dancer Pastel, Photo Rachel Neville

Nastia Patsel – ABT Studio Company
Nastia on Instagram – @nawstiauh

Virginia Lensi – ABT Studio Company
Find Virginia on Instagram – @virginialensi

 

Alexandra Terry – Ballet West 2
Find Alexandra on Instagram – @alexandra.terry

Sarah-Gabrielle.Ryan.2015-10104 (1)

Dancer Sarah Gabrielle Ryan, Photo Rachel Neville

Sarah Gabrielle Ryan – PNB
Find Sarah on Instagram – @xosarahryan

Kevin Zong – Arts Ballet Theatre of Florida
Find Kevin on Instagram – @kevinzomg

Kaeli Coleman – Nashville Ballet 2
Find Kaeli on Instagram – @kaelii_cole

Marisa Whiteman – Kansas City Ballet 2
Find Marisa on Instagram – @marisa_whiteman

Congratulations to all of our dancers for working hard in the studio and working hard to launch their dance careers using smart marketing approaches, good research and consummate dedication.

Get more updates, marketing tips and career planning advice in our newsletter.


Tagged: auditions, ballet, career advice, contemporary dance, dance, dance careers, marketing

Video Launch: Audition and Marketing Videos from Rachel Neville

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We are thrilled to announce the launch of our video audition and marketing series for dancers.  Episode 1 is available now and we are busy putting together a library of videos with tips for launching and managing the dance career you have been working so hard to build.

Check out Episode 1 now and learn all about the first steps to prepare for dance auditions and how to research dance companies to find the one that’s right for you and the one for whom you are the best fit.

video auditions and marketing rachel neville nyc dance photographer free video series

Pre-Register for Access to the Complete Dance Audition and Marketing Video Library

Subscribe now and we’ll send Episode 2 right to you!

 

 

 

 


Tagged: audition prep, audition tips, auditions, career advice, dance, marketing, tips, video, workshop

Know Who You Are as a Dancer – Audition and Marketing Tips for Dancers Episode 2

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We are thrilled that so many dancers and our colleagues in the dance community are enjoying our brand new Audition and Marketing Video Series for Dancers.  The feedback from Episode 1 has been great and we can’t wait to hear what you think of Episode 2.

Audition and Marketing Tips for Dancers: Know Who You Are as a Dancer

In Episode 2 of the video series, I talk about how important it is to understand, objectively, who you are as a dancer and how that translates into success at auditions and throughout your dance career.

Take a look…

audition tips video

Access the Complete Dance Audition and Marketing Video Library

Subscribe now and we’ll send Episode 3 directly to you.


Tagged: audition prep, audition tips, auditions, career advice, dance, dance careers, marketing, video

Advice on Transitioning from Dancer to Trainer: Spotlight on Katie Dettling

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We recently had the pleasure of working with Katie and Grant Dettling, co-founders of Fit-Arts, a Pilates and wellness studio on the Upper West Side.  In addition to being a successful entrepreneur in the health and fitness field, Katie and her husband Grant, are former dancers.

Katie spoke with us about navigating the dancer to trainer transition and the resources she used to cultivate a successful career after dance.  She also told us about the lessons she brings from dance into the world of fitness and entrepreneurship, and what it was like working with Rachel Neville Photography to create fitness marketing images for her company and its new website: fit-arts.com.

1. What lessons from your dance career did you use to transition to a successful fitness training career?

A long career in dance instills qualities like discipline, work ethic, adaptability, strong multi-tasking capabilities and more that we have used to transition. But beyond that, a critical quality in a successful fitness trainer/wellness coach is empathy.

Between collaborating so intimately with colleagues to achieve a common goal (the performance), dealing with a wide variety of personalities, ups, downs, achievements, disappointments, pain and injury, dancers can be very empathetic. Put that together with a career that only lasts until late thirties if your lucky, and a dancer in their thirties (like us) can empathize uncommonly with client’s pain, life transitions, frustrations and stressors. These are the reasons they come to fitness and wellness. These are the issues they are trying to address. If you can’t put yourself in your client’s shoes and really see the world through their needs and pains, you won’t be able to motivate and help them.

dancer turned trainer photo by rachel neville

On the more technical side, many years of experimenting with diverse dance techniques and cross training methods have allowed us untold hours of trial and error experience in achieving a desired aesthetic from the human body. These elements combined allow us to use the anatomy and postural analysis we’ve studied to draw from multiple exercise and wellness modalities to tailor sessions (both the actual exercises and the focus of those exercises) to exactly what a client needs and responds best to. It is what we love about fitness training, it’s like a human puzzle:)

I think a combination of these skills allow us to first connect with clients and then give them the results they are looking for. There is nothing more rewarding than having people leave time with you feeling better than when they came in!

 

2. How does the concept of marketing change from marketing yourself as a dancer to marketing your fitness business?

Some aspects are the same, close attention to aesthetic for one. It’s difficult to market your business without marketing yourself, “walking the walk” if you will. The difference with fitness is the aesthetic tends to be aspirational but still attainable: exuding health, vibrancy, musculature, good form, ease of movement. In dance, it’s all much more extreme. This can feel inaccessible to your average client.

Another big difference is amount of control and content. As a dancer, your company often controls images. Due to the limited resources/time of non-profits, results are usually minimal dated content, and in my experience not anything I would have chosen. Additionally, social media was in it’s infancy during much of my career. So I didn’t have a whole lot of content nor anywhere to put it. In marketing our own fitness business, we can prioritize good content and control the images/branding we are putting out there. It does take time but it’s also really fun to play around with ideas and document the journey of our business!

From start to finish the experience with Rachel Neville Photography was not only incredibly results driven and effective, but fun and inspiring.

3. What was your experience like working with Rachel?

Incredible! My reaction during the shoot was, “Where have you been my whole career?” Photo shoots during our dance career were often disorganized and the results disappointing. Something like: run out of rehearsal for 1 hour, throw this costume on that doesn’t quite fit and pose yourself somehow. It wasn’t unusual to hate every shot that came out of it. The dancers or ballet master or whoever might come up with decent posing ideas, but it just never came across well on camera. Rachel explained to me that lines end up looking different in 2 dimensions, you have to know how to tweak them for the camera. And that is even MORE important nowadays, since so much media is out there in 2 dimensions. Similar to the precision I was speaking to earlier, Rachel has a very precise eye from her dance background. She will keep tweaking every detail of your position until it looks right.

From start to finish the experience with Rachel Neville Photography was not only incredibly results driven and effective, but fun and inspiring. Rachel is an incredible entrepreneur and so knowledgeable about images for marketing. She not only takes great pictures, but helps you figure out what style of images to go for.

 pilates studio photo rachel neville

4. Did anything surprise you about your photo shoot experience?

Yes. How much Rachel pushed us to get our best possible results. I can’t tell you how many times in my past I wish someone had told me to point my foot really hard or press my shoulders back in a photo. I was sore for 2 days after the shoot, and it was SO worth it.

5. Can you describe your primary goal for your marketing efforts?

We are just building our new business, so our goals are simple. With our marketing, we want to clearly embody our mission and name (establish our branding). They combine our artistic and fitness perspective into Fit-Arts: where every body is a work of art. We will use this image on our website, social media, targeted Facebook ads, plus limited print flyers etc to increase awareness of our business and offerings. We hope to attract a range of core clients who need our specialties including: Athletic & Dance Conditioning, Injury Rehabilitation, Women’s Health, Barre For Men, and Stress Reduction. Ultimately, the goal is to increase our client base and online presence enough to open a separate location (our studio is dedicated space within our apartment to start), as well as run workshops on special subjects and offer summer retreats/intensives.

6. Did the act of making these images change the way you thought about your marketing and your business?

Yes! Rachel had two long discussions with us to figure out where we were going with our business before we even showed up for the shoot. Her questions were the first time we had to express out loud things like: Who is your core customer and what makes you stand out from your competitors? We already knew we needed great professional images. From our previous experience managing for dance, we knew how limited marketing is without great images. Plus, with all the “do it yourself” web building and graphic design tools out there, great photos can pay off big time by going a long way towards designing great marketing for yourself. We also had ideas of a series of “artsy” body shots. But that was about it.

Rachel helped us shape a comprehensive set of images that would be of multi-purpose use for quite some time. She researched what was already out there so we were sure to stand out. She also encouraged us to think bigger and not sell ourselves short (as dancers are apt to do). Ultimately, she was even able to suggest which final images she would edit in a certain way for a website home page etc. With Rachel, it’s a whole process from ideas to implementation, much more than just the day you are in the studio shooting.

 A professional dancer needs to know where their pinkie finger is in relation to their opposite toe at all times. They constantly create subtle shifts in timing/balance/muscle recruitment, all while keeping in perfect sync … This allows us to understand exercise and anatomy at a visceral level.

7. Are there similarities between your dance career and your current career that strengthen the ways you are able to serve your clients?

MOVEMENT and PASSION:

Most fundamentally, the joy and habit of moving our bodies to their fullest expression and capability, a human birthright that is often denied in modern life. This is one of the reasons that dancers become dancers and why transitioning to a career in fitness is a natural one. Keeping that as our life focus and sharing it with others to improve their lives and health is why Grant and I got hooked on fitness. We’re so grateful we found a second career we are as passionate about as we were dancing. It took years, but we got there. Passion is SO important to success.

PRECISION:

Because ballet is so precise, it instills the ability to perceive every intricate detail of the physical form. A professional dancer needs to know where their pinkie finger is in relation to their opposite toe at all times. They constantly create subtle shifts in timing/balance/muscle recruitment, all while keeping in perfect sync with either a partner or a line of 16 other dancers for example. This allows us to understand exercise and anatomy at a visceral level, and also along with years of teaching dance, to see and coach that level of specificity in others.

8. How would you characterize the transition process from dancer to trainer?

Natural, but with plenty of uncertainty, experimentation, risk taking and patience (admittedly reluctant patience more often than not). Our transition was quite roundabout (as they often are).
We moved to New York in order to keep working as freelance dancers while exploring options for our “life after performing.” We pursued Arts Management in hopes of improving situations experienced in our career and had a wonderful opportunity to co-manage a dance company here in NYC for two years, Dances Patrelle. We were able to hone our business skills and learn how to embody another role other than dancer (it’s amazing how long it takes to stop answering “dancer” when people ask you what you do).

It’s so satisfying to put all of our energy in one place, instead of pursuing 6 different career avenues at once, and to put all of that energy into something of our own making.

At the same time, we had been pursuing fitness certifications, not necessarily planning that as our long term focus. Destiny had other plans however, and we connected with some out of this world inspiring mentors in the fitness world right about the time we realized spending our days behind a desk just WASN”T for us. We also did counseling with Lauren Gordon at Career Transition For Dancers. She had us do a Myers Briggs personality test and low and behold, it suggested we would be great in things like healthcare and coaching.

SO despite the fact that it wasn’t what we would have thought a few years earlier, when I look back at it, it was meant to be! Put that together with the fact that I come from several generations of entrepreneurs (my great grandfather founded Hygenic, a 3 generation family company that produced health products and eventually invented the Theraband!!), and this is the perfect fit for us to now have a business.
It’s so satisfying to put all of our energy in one place, instead of pursuing 6 different career avenues at once, and to put all of that energy into something of our own making.


Tagged: career advice, career transitions, dance, Fit-Arts, fitness, health, marketing, personal trainers, photo shoot, photography, pilates, studio, trainer

Dig In

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Bear with the preamble here, I’ll get right to the point of ‘dig in’ in just a minute, but I had a 25 hour period that, if I’m really real about it, might just help some of you out there.

A few nights ago, right as I was putting my two kids to bed, I came down with some nasty food poisoning. Here I was, ruthlessly itchy all over my entire body and crouched on the floor of my bathroom hoping to vomit to get it out of me. My husband was working an overnight shoot and I was by myself, two little kids just in bed, a call scheduled with a client in and two more hours of post production on the schedule. Somehow, I made it through two hours of the worst but was up and down all night with stomach tension and the ribs I had dislocated that week.

The next morning, while trying to get my 5 year old to the bus, my 3 year old pee’d twice, giant rivers all over the rug (we are potty training but I was a little distracted). The 5 year old cried all the way to the bus that I work too much and she needs mommy time.

Next I was told by the customer service person over the course of a 20 minute phone call that my debit card had been canceled (for no apparent reason) and the parking meters on my street were down so I had an ordeal trying to not get a ticket.

My assistant made it to the studio before I did, only to let me know I had left the heat on overnight.

I could go on and on further about the hurdles I seemed to face that day, coming in rapid succession, twice making me want to throw my hands up and say F### it, what is the point. I’m done, I quit.

dance photo male andrew daly

Andrew Daly, Dancer: Pennsylvania Ballet Photo Rachel Neville

I’m sure we all have days like this.

What did I do? I dug in, got to work and did the best I could.

It’s a little easier for me to do this now, I have a lot of people depending on me for support, pay checks, work, overhead, children… I don’t really have the easy choice to quit. I keep going, take a breath, try to remember that tomorrow will be better and remember the pleasure I take in helping everyone.

But that wasn’t always the case. When I was a young dancer and had times like this, I did quit. I took the day off. I stayed in bed or went to the park. It didn’t really seem like anyone cared whether I kept going or gave up. And as that happened often, being the perfectionist that I am, I can now see how I didn’t quite work as hard as I could have and become as good a dancer as I could have been.

So if you see yourself here, what can you do to counter these tendencies? What do you have on the line that can help you to keep going when you have an epic bad class or day? What support systems can you put in place to keep going?

screaming dancer photo Rachel Neville

Andrew Daly, Dancer: Pennsylvania Ballet Photo Rachel Neville

Please reach out if you need help.  We are putting together a list of people we can refer to dancers who who need this or any other type of help.  Because you deserve it.  And you need it.  We all do.

Shoot me an email, call, comment here, talk to someone. Don’t stay silent. It might just be the difference between being good and being great – the difference between getting a job or not getting a job.

Breathe, and let the light in!  We’re here for you.


Tagged: career advice, career transitions, dance, dance careers, motivation, resources

How to Write a Resume and More Career Tips: Audition and Marketing for Dancers Episode 3

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Episode 3 of my Audition and Marketing for Dancers video series is a slightly longer video because it is a particularly important topic for dance career success and I have a lot of advice to share with you.

career planning series for dancers rachel neville

Watch Episode 3 NOW

In Episode 3, we tackle resume tips.  This is one of those important topics that so many of you have questions about and I am excited to provide you answers to your questions to help you communicate all of your hard work and accomplishments in a way that helps to get you the job that you want.

Watch the episode to learn how to create an effective dance audition package, including tips on how to put your resume together, dos and don’t dos of audition photos and videos and more!

I hope you find this video helpful.  As always, please contact me with follow-up questions.  It is my privilege to help guide you through your dance career and it is my joy to share my knowledge with every one of you.


Tagged: auditions, ballet, career advice, contemporary dance, dance, marketing, resources, tips, video

Episode 4 Preparing for Audition Day

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In this episode of the Marketing for Dancers video series, we tackle the big day: audition day, that is.

Dancers, you have spent years preparing to this moment and now the dance audition day has finally arrived and you want to make sure that you are fully prepared to take all the right steps for a successful dance career.

Episode 4 shares all the tips you need to prepare for dance audition day.  Watch it now!

episode 4 rachel neville video series marketing for dancers

More questions?  Explore more dance audition preparation tips here on the blog and drop us a line.


Tagged: audition prep, audition tips, auditions, career advice, marketing, resources, video

You Don’t Have to Do It Alone: Rachel Neville Photography Video 5

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In this episode, from our Marketing and Career Tips for Dancers Video Series, we are talking about the importance of community support as you prepare for dance auditions, go on auditions and manage dance career decisions.

Support and community are key to a successful dance career and today’s dancers are poised to access the resources that they need to make sure they are prepared to bring their best to auditions and beyond.  In this episode, Rachel explores how to build that much needed support system.

rachel neville dance audition library

Watch Episode 5 NOW

It starts with evaluating your strengths and weaknesses honestly, then accessing the resources you need from classes to coaches to teachers and advisers to help you get where you need to be.  Taking full advantage of your community and the support that you have around you will lead you to leave “no stone unturned throughout your audition process.” You – and your dance career -will be the better for it.

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Tagged: audition prep, audition tips, auditions, dance, dance careers, marketing, motivation, resources, tips, video

You Got the Job – Now What? Episode 6

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Episode 6 of the Rachel Neville Photography Audition and Marketing Video Series for Dancers looks at a topic you don’t hear too much about.  It might be a topic you haven’t even thought about throughout the audition preparation process.  What happens after you get the job?

dance career tips rachel neville

Watch Episode 6 NOW

Your journey as a dancer  doesn’t end once you get your contract and neither does your path to lasting career success.  Our latest episode gives you tips for how to continue to grow and nurture your dance career from the moment you sign that first dance contract.

We talk about the importance of – and the how tos of – networking.  We look at collaboration and we explore how to keep your dance career vital for years to come.

More questions?  Drop me a line!


Tagged: business, career advice, dance careers, marketing, resources, video

Dancers Review Photo Shoot with Rachel Neville in NYC

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Recently, we did a mini-photoshoot at the Rachel Neville Photography Studio in NYC with a group of dancers from the Richmond Ballet.  After the shoot, we caught up with dancers Mara Milner, Anna Sundquist and Alexandra Lammon who shared what it was like to work with Rachel Neville, the kind of preparation needed before the dance photo shoot, and the lessons they learned from the photo shoot.

How would you describe the experience of shooting with Rachel?

Shooting with Rachel was unlike any other photoshoot I have ever experienced. Instead of spending a few hours taking some photos, I left feeling like I had just completed a course in Audition 101. Rachel has such an incredible eye for both dance and photography and it seemed like every suggestion she threw my way immensely improved the final product.

I especially appreciated how she wasn’t afraid to tell it how it is. From giving leotard and pointe shoe advice to yelling at me when I wasn’t reaching my full potential in a shot, she really knows just the right way to motivate her clients and do the best she can to help them be successful in this industry.

She is such a knowledgeable reference in the dance world and I thoroughly enjoyed every second of the 11 hours we spent at her studio!

-Mara Milner

dancer richmond ballet photo rachel neville

Mara Milner, Richmond Ballet Photo Rachel Neville

How did it feel to participate in the photoshoot with your fellow dancers?

It was so helpful to be working and learning alongside my colleagues and friends.  From the second we stepped into Rachel’s studio, I immediately felt more comfortable than I would have been, had I been alone. With music playing, the atmosphere felt like our dressing room at the theater. The positive feedback from both Rachel and my friends when we nailed a photo was so reassuring.

In addition to giving us a chance to rest a bit in between poses, I learned so much from observing the other dancers being shot and hearing the compliments and critiques coming from Rachel. Feeling what Rachel is suggesting is useful, but sometimes, seeing those changes on another body can be even more advantageous.

-Mara Milner

What is the biggest challenge for you during the photo shoot?

For me, the biggest challenge was describing myself as a dancer in order for Rachel to get the shots to best portray me. Throughout the day, the photos, talking with Rachel, and support from my friends, I came out of the shoot with a much better idea of who I am as a dancer and how I can use that towards my advantage.

-Anna Sundquist

two piece black dance ware ballet photo rachel neville

Anna Sundquist, Richmond Ballet Photo Rachel Neville

What did you enjoy most during your Rachel Neville Photography dance photoshoot?

My favorite thing was seeing the evolution of each pose. At first, the pose might have looked alright, but as we tweaked it, the photo became extraordinary. Rachel’s tips and corrections made all the difference. She also encouraged us to be more artistic with our arms and experiment, to find what looked best.

-Anna Sundquist

What is the biggest challenge for you when you prepare for a photo shoot?

For me, my biggest challenge is getting my confidence up. I can be very insecure and compare myself to others and think I won’t be good enough.

-Alexandra Lammon

richmond ballet photo Rachel Neville dance Alexandra Lammon

Alexandra Lammon, Richmond Ballet Photo Rachel Neville

What would you tell other dancers who are preparing for a photo shoot – any tips or tricks to remember?

Definitely let your ego out the window and trust in Rachel. She has a great eye for things and may do something the unconventional way, but you won’t be disappointed with the results. Keep your head up, just because the dancer next to you is doing something does not mean you’re supposed to be able to do it also. Everyone is different and unique. You’ll shine more being your own person than trying to copy someone else.

-Alexandra Lammon

Schedule a dance photo shoot for you or a group mini-photoshoot.

 


Tagged: audition prep, dance, interview, new york, photo shoot, photography, studio

Your Headshot is More Important Than You Think

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I’m just going to leave this here for you dancers: your headshot is more important than you think. So important.

headshot rachel neville photographer

Here’s a quick test for you. Go online to your favorite dance company. Pick one, any one. Now go to the company page and look up the dancers.

Pick out the following characters among them:

1) The diva

2) The artist

3) The friendly

4) The model

5) The serious

6) The angry

If you are on a smaller company website, there may be 7) The ‘he who looks like they didn’t take the whole thing seriously and took a snapshot on a phone against a brick wall with bad light’ one.

Next exercise: Consider ‘the angry one’ or ‘the diva one’ – would you go up to them at a gala and feel comfortable chatting? Would you want to take a workshop or class from them? Would you buy a ticket to go see them if you didn’t know who they were ahead of time?

Let’s role play for a moment. If you were a company director and all these headshots just landed across your desk, you hadn’t seen them in an audition or class yet. Which ones are memorable? Which ones do you think you’d like to work with? Which ones do you think you’d have the easiest time making art with day in and day out?

blue eyes dancer photo rachel neville

I recently did a photo shoot for a dance wear company. We spent several days looking at submissions for casting. I found it really interesting that, while of course my client was looking for lovely ballet bodies, he chose the dancers he wanted based on their headshots, the energy in their faces and the expressions they chose. He completely dismissed any dancer that had a headshot that was ‘over the shoulder’ because they didn’t look ‘nice’.

If you didn’t have a professional headshot he dismissed you completely.

He turned down several ABT and NYCB dancers I was pulling for, for those reasons. And I fully understood and was on board with it. How can he know what the person hiring you know what he or she is getting if he can’t see it ahead of time in your marketing materials? To the dancer/model it was just one day of shooting and a few hundred dollars. To my client it was weeks of preparation, endless hours of crafting his product, sourcing materials, fitting, designing, dreaming, flying to NY to shoot, and the full weight of his line and marketing. Huge time and money. He must know exactly what he is getting before he signs your contract.

dance photos headshots for dancers rachel neville

No matter what you are going after, whether it’s a dance company contract, a modeling job, or any other job for that matter, you will not be taken seriously if you don’t take yourself seriously. Period. The directors, casting agents, hiring managers who are hiring you just don’t have the time and money to take a chance on people they are not sure are exactly right for their job.

Ok it’s me. Did you think I’d end this without some tips? Of course not.

Here are my Headshot To Dos from a Dance Photographer:

1) When you have a headshot session, make sure that you and your photographer know who you are targeting and what types of looks are going to be best for you.

Then prepare. Bring the right clothing. Get a makeup artist. Know how you want to look and communicate it.

2) Don’t just select the shots that you like your look in. Consider who is going to see them and what is going to work for them.

Even though you may not like yourself smiling, not everyone is attracted to a serious look and vice versa.

3) Pay attention to what your body language is saying. Most headshots focus on getting your face to look good, your expression and eyes to pop. Yes that’s a huge part of it, but don’t discount what your arm and shoulder line is saying.

Consider how you feel when you have a conversation with someone and they are leaning away from you with their arms crossed versus someone who is leaning in toward you and listening intently. Which would you hire?

Ok guys, now do me a favor. Pull out your own dance headshot. What does it say to you? Be honest. What adjectives come to mind?

Would you hire you?

You never know when something comes up and you will need to submit a shot, don’t wait until it’s too late to get a job because you didn’t have an appropriate headshot photo on hand to send in.


Tagged: career advice, dance, dance jobs, dance wear, head shots, headshots, hiring, modeling, tips

Movement and Dance Photo Shoots in San Francisco

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I am thrilled to announce that I will be making a trip out to the West Coast in August to work with dancers and movement professionals on audition photos and photos for dance and fitness marketing.

san francisco dance audition photo rachel neville

Andrea Madison Wesleigh Dancer Photo Rachel Neville

San Francisco, CA
Photo Shoot with Rachel Neville
August 25th to 29th

There are still a few spots available for photo shoots with Rachel Neville Photography in San Francisco.  Please drop us a line to schedule your dance photo session.

back attitude purple leotard sports back photo rachel neville

Alston MacGill Dancer Photo Rachel Neville

Get A Jump on Audition Preparation, Marketing Skills and Career Training

Check out my video series on Audition and Marketing Tips for Dancers to find out what you can be doing now to create the dance career you want.

dance photography with props rachel neville nyc

Amber Mayberry Dancer Photo Rachel Neville

Join us in San Francisco

Contact us to schedule a photo shoot and talk more about audition and marketing skills for dancers and movement professionals.


Tagged: auditions, events, fitness, location shoots, locations, marketing, photo shoots, San Francisco

Are You a ‘Poser’ or a ‘Flow-er’?

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Regularly we see dancers in our studio that come to us saying ‘I don’t take very good pictures’. These are often really beautiful dancers who have trained at wonderful schools or who are already with a company. They often know what they look like in a mirror but don’t know why what they see in the mirror doesn’t translate to a photo or a screen.

look better in dance photos rachel neville nyc

Katherine Duffy, Dancer Photo Rachel Neville

I explain to the dancers that work with me that it is not that a matter of “I never look good in dance photos” just that they just need to finesse the poses and find the lines and shapes that work for them. Sometimes  small details need to be altered for the perspective to work in 2D. Sometimes it’s the angle or the shape of the leg or a specific shoulder line that needs to be adjusted.  We have explored these ideas here on the blog and in my studio.

But today I want to talk about something new that I’ve been working with over the last year: identifying dancers who are more movers rather than posers.

tips for better dance photos  know your dance style

Jordan Miller, Dancer Photo Rachel Neville

A few months ago I had a shoot with a gorgeous dancer from City Ballet. Just beautiful. A dream to watch. But when it came time to get down to shooting specific movements she had a hard time getting her lines, and specifically, her arms to look the way we wanted. She became frustrated and almost gave up. Really, the challenge for this dancer, who was used to a fast paced, flowing, moving environment in her work, was to slow down, breathe, and align with the details to get great shots.

Over the next couple of months, I started working to identify those dancers that I would categorize as ‘movers’ and those that are ‘posers’. And yes, my little internal, completely non-scientific experiment seemed to work.

dance photos better angles rachel neville know your dance style

Hayley Tavonatti, Dancer Photo Rachel Neville

Once a dancer was identified to be a mover, one who loves to flow, move quickly, whose energy is felt best emulated through fluid motion, I started working differently with them. We would pause, talk about the pose we were working on, breathe, slow down, get the muscle memory in place to build the shot. Once all the pieces were in place, we would then go back to performing it with the dancer’s energy and emotion. The results tended to be much more successful for them.

Now ask yourself, are you a mover or a poser? How does it affect your dancing? Could you benefit from slowing down, taking a breath and fine tuning the details before jumping back in? Or are you more of a poser who may get caught up in the details and need to throw some energy around, and just go for it now and then?

Drop us a line if you have a thought or found this helpful!


Tagged: dance, image making, photo shoot, photography, photography tips, studio

Sleep Matters: What I Learned the Hard Way

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So, I’m a dance photographer. You may not be aware that I’m also a mom. Yep, two little rug rats.  Oriane will be 6 this weekend and Cadence is 3 1/2. Sleep is a hot topic in my world. I know a ton about it, far more than an average person should, since my kids are terrible sleepers and I’ve been pretty much living in a world of sleep deprivation for 6 years. Yes, we’ve done/read/tried everything, no advice or support needed, it’s just the way it is in my world.

So when I came upon this article about dancers and sleep you can imagine how I jumped.
Dancers and sleep photo Rachel Neville

 

I know first hand what lack of sleep can look like for a creative body and mind. Literally.

 

I also remember how I took advantage of my body when I was dancing, going out to far too many clubs and dancing the night away, thinking, ‘no problem, I’ll be good for class tomorrow’. I’m not sure I realized how detrimental that was to my body and how it may have impacted my career. But after the last 6 years, I sure do.

 

I can tell you how clear thinking, retention and physical strength are absolutely impacted by lack of sleep. I have fired assistants who came to work and were sloppy due to ‘netflixing’ all night. I’m sure you, my dear dancers, are not that type right? But just in case you don’t have a support person telling you to go to bed at 10pm, here’s that article one more time: http://pointemagazine.com/views/six-hours-sleep-not-enough/


Tagged: dance, resources

Concept Photography of Dancers: Meet The Bird, by Rachel Neville

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I love dance photography.  I have been a dancer, a teacher, and then a dance photographer for most of my life.  I grew up watching for the next cover of Dance Magazine.  I stared at the pictures in the programs of the companies I longed to dance for.  The shapes and emotions always connected my soul to another level of beauty and contagiousness.

Over the last years I have worked really hard to become as good at what I do as possible.  Forever fine-tuning lighting, the things that make a dancer shine on my canvas, the business side of running a thriving, working photography studio in NYC.  And then I realized, I was starting to miss the connection to the soul of what I was doing.  Working with dancers for their power, passion and physical technique is a piece of what fulfills and motivates.  And there is more.

 

The more – the full soul connection – means finding a way to start telling my own stories.  The element I often see missing from dance photography and marketing is the emotional content, the narratives, the reasons why we are drawn to dance as a connective art.

 

dance photography art photo rachel neville

Dancer Jorge Villarini meets a bird in flight

 

With this in mind, about 2 years, I started experimenting with a new body of work that drew together my love for dance photography, surreal illustration and narrative story telling through imagery.  And I’m excited to share that I’m ready to introduce that work to you now.

 

To start off the series, I’m talking about one of my favorite shots, ‘The Bird.’  The idea for The Bird came to me while I was driving to work on a bright blue, sunny morning.  With U2’s Beautiful Day blaring on the radio, I started thinking about what it might be like to be a bird in the sky at that moment.  That thought rolled through my head, running from the ‘well it must be beautiful to feel free’ to the ‘what would it feel like to run splat into those windows at night’.  And then I thought about the dancers I shoot, how we spend so much time working up jump shots just for the technique and joy of them… but what if we had a dancer meet a bird in flight, out of the blue?  And then what if the birds happened to look the same, like a person meeting his doppelganger? It’s almost not out of the question, dancers leap regularly, and birds do swoop low to check us out near the ground.

 

And so, the idea for the shot was born.

 

Creating this image of dancer and bird was challenging in many ways. It took about 3 weeks of research to find the right taxidermy bird (it’s an African Worler, and yes the bird in the image is real).  On the day before the shoot, the makeup artist we had booked canceled on us day before the shoot (and you can imagine it’s not easy to find someone who can do this type of body paint).  I managed to find Jaime Gruber within about 12 hours.  She was a godsend and just amazing to work with.

 

Jorge Villarini, my friend from Dance Theatre of Harlem, was required to stand for the 6 hours it took for the makeup to be done!  Jorge was one of the most professional dancers I have ever worked with.  When I talked with Jorge about the concept and sent him a picture of the bird, he came prepared having researched birds and their movements so that he could more accurately move like one.  We must have shot only about 200 shots and almost every one of them was stunning.  I will be eternally grateful to him.

 

Here’s a peek into what the shoot was like, here are some outtakes from the session, I hope you enjoy!

 

rachel neville art photography

 

dance photography narrative photography rachel neville

 

We’ll be rolling out more of these Behind the Scenes descriptions of our conceptual photography work over the next few months.  Thanks for taking a peek – check out more on my website.

Tagged: arts, concept, dance, Dance Theatre of Harlem, image making, inspiration, photo shoot, photography, studio

Human Nature Calendar Available Now

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Some of you might remember the video we posted awhile ago from the tree shoot.  It is part of the Human Nature Project, an ongoing series I’ve been working on for the last year.

As part of the Human Nature Project, we gather dancers of all skin tones together to work up shapes that we find inspiring in nature.  The project has been such a wonderful experience to have the opportunity to create these organic shapes with so many generous dancers.

 photography calendar rachel neville
And now, I am so excited to be able to announce that the Rachel Neville Photography Human Nature Project is available as a wall calendar.
photo calendar rachel neville human nature project
This 11×11 calendar is a limited edition run of 500, and yes, friends, they are going to go fast!  If you are interested in giving the calendar as a gift, or hanging one on your wall for 2017, we are taking orders now.

Tagged: calendar, human nature project, human nature series, image making, inspiration, photography

Creating a Marketing Image that Reflects the Power of a Dance Company

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I created this piece for contemporary dance company The Moving Architects in celebration of the company’s tenth anniversary season.

Our goal was to create an image that represented their 10th anniversary season in a way that connects to their branding and resonates with audiences.  Strong, contemporary shapes and emotional content are key to The Moving Architects’ work and to their branding concept.

The Moving Architects Photo Rachel Neville

We wanted to showcase these key elements in an image that could be cropped, or not, as needed for their programming. This is an important thing to keep in mind when you are looking at dance marketing decisions: how and where will you use your images, and how does they way you use your dance marketing images help to influence the design and production of those images.

The dancers in the photo shoot were moved to work with props that would help them illustrate their power, fearlessness and vulnerability.  And this image does precisely that.

Congratulations to The Moving Architects on their 10th Anniversary Season.  We look forward to enjoying your work, your energy, and your power, for years to come.


Tagged: contemporary dance, dance, dance companies, image making, marketing, photography, The Moving Architects

Resources for Dancers from Rachel Neville Photography

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Part of what makes the Rachel Neville Photography experience different from working with any other dance photographer in New York City, is our commitment to providing resources and information that help dancers achieve success throughout the audition process and the life of their dance careers.

nyc dance photographer rachel neville clients win contracts

In keeping with our commitment to provide the best resources and information for dancers, we have compiled a list of professionals from pointe shoe experts to nutrition advisers, coaches, choreographers, video pros and many more, including audition experts in the US and Europe.

Dancers, read through this list and add it to your audition and career research material.  Let us know what you discover and how your experiences are working with the providers we recommend here.

Fellow dance professionals and service providers, if you would like to be considered to be included on this list, please contact us.

Rachel Neville Photography Dance Resource Referral List

Pointe Shoe Experts

Grishko: Judy Weiss judy@grishko.com

Freed: Brenda Nevillebrenda@freeddirect.com

Costumes

Ben Brionesbenbriones2@yahoo.com

Choreographers

Ursula Verduzco  – ursusv2@yahoo.com

Jason Ambrosejeambrose@ymail.com

Breton Tyner-Bryan – http://www.bretontynerbryan.com

Videographers/Editors

Nel Shelby and Associates

Milan Misko – miskosproduction@gmail.com

Bodywork

Everyone on this list specializes in working with dancers or was/is a dancer themselves.

Fascia Release Expert: Robert VanBurenrob_vanburen@yahoo.com

Feldenkrais: Lucia Campoy – feldenkraisatcitycenter@gmail.com

Physical Therapy: Heidi Green – http://www.corinthiantherapy.com

Harkness Center for Dance Injuries

Private Trainers Specializing in Dance

FitArts – Katie Dettlingdirector@fit-arts.com

Learn more about FitArts in our blog interview with Katie Dettling

Anti-Bunhead Fitness – Tanya Tromblyttrombly@antibunheadfitness.com

Pilates Group Classes

Pilates Reforming NYmultiple locations

Pilates Mat Group Classes:

The Pilates Room

Friday evenings
150 W 28th St 9th Fl
(btwn 6&7th Ave

Sundays 11am Open Mat & Noon Tower in Chelsea
Thursday 5:30pm Mat/Tower in SOHO

JFit Training

Gyrotonic: Village Gyrotonic (has many dancer/trainers)

Circular Power Gyrotonics – Tony was also a dancer/teacher/choreographer.

Coaches

These practitioners are the real deal, no fluff and mirrors here.  Make sure to go with your instincts and gut as to who you work with (or let us know if there’s another practitioner who should be on this list).  Remember, elite Olympic athletes all have a team supporting them, dancers are no different.

Health/Nutritionist and High Performance Professionals:

Elizabeth Sullivaneasullivan.com

Jess Spinnerthewholedancer.com

Resources for Europe Auditions

If you are planning to audition in Europe, we highly recommend the following resources:

Dance Europe Magazinehttp://www.danceeurope.net/content/auditionsjobs

Dance Company Researchwww.danceeurope.net/directory

Ballet Coaches

Kat Wildishkat@katwildish.com

We are looking for other good coaches to add to this list, please let us know anyone you think excellent that should be on here!

European Audition Help

Sophie Ponthierballetauditionseurope.com

More Audition Resources for Dancers

http://au-di-tions.com

http://www.balletauditions.org


Tagged: bodywork, business, career advice, choreographers, dance, fitness, health, Power Pilates, resources, tips, Ursula Verduzco, video

Creating Narrative Images: Betrayal By Rachel Neville

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The idea for the Betrayal image came to me one morning more as a video idea around a personal incident in my life.  What woman hasn’t been frustrated to the extreme by her significant other, and what fantasies we create in our heads to deal with the frustration?
A few weeks later, I was shooting a commercial shoot for Averyboardman (a company that custom designs sofas and sofa beds) and, boom, there was this new couch.  It was the couch from my imagination!
Narrative photography Rachel neville
New York City Ballet dancers 
Preston Chamblee and  Jackie Bologna Photo Rachel Neville
So of course we pulled in a favor and asked to borrow it, and called in Preston Chamblee and  Jackie Bologna of New York City Ballet for the shoot.
I can’t tell you what fun it was to work up ideas with the two of them that ran a little macabre with a love story – and a knife!
See this end more of our work on my website and tell us what you think on Facebook.

Tagged: ballet, dance, image making, inspiration, Narrative Photography, New York City Ballet, photography, projects

Time Traveler

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Time Traveler is inspired by my love of magic and Steampunk style.  I grew up reading and loving all things magic and extra-sensory in addition to anything period piece, convinced I lived in the 1700s and then again in the 1800s.

I wanted to create a piece that would read dance but also tell the story of a couple that might be time travelers, a poster that would catch the attention of the audience and draw you into wanting to buy tickets to the show, to be part of the story.

art photography concept rachel neville

Steampunk dancers

Look in this shot and see how the characters the dancers were giving me during the photo shoot with their energy and emotions.  Dancers are Alston Macgill of New York City Ballet and Andrew Fassbender of Tulsa Ballet.

Scroll through Instagram and Facebook for outtakes and more of this story we are telling together.


Tagged: concept photography, image making, inspiration, Narrative Photography, photo shoot, photography, story telling
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